Tall Poppies


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 TP (1-901)


Café Concertino

new Australian music
performed by
the Australia Ensemble

$23   (Australian dollars)


buy at: AMC - Buywell - iTunes

The Australia Ensemble is Australia's foremost chamber music group. It is in residence at the University of New South Wales in Sydney.

In this CD the Australia Ensemble plays a selection of Australian chamber music that it has either commissioned or has performed many times.

Carl VineCafé Concertino
Martin Wesley-SmithWhite Knight and Beaver
Nigel WestlakeRefractions at Summer Cloud Bay
Gillian WhiteheadManutaki
Mark IsaacsSo it Does


The Australia Ensemble is a talented and committed group of musicians who take their responsibility toward Australian music seriously. They would also seem to take their responsibility to their audience seriously for the five pieces on their recent CD, all of them commissioned by the group, reveal a directness of approach which renders them immediately accessible to the average listener.Perhaps the best-known composer represented here is Carl Vine. His Cafe Concertino is an attractive glance back to the popular Parisian-inspired pieces of Milhaud. Much of the work is dominated by the brilliant pianism of David Bollard while the busy ostinatos of the outer sections give the work a rhythmic impulse which throws the calmer middle section into relief. Martin Wesley-Smith's charming piece for flute, bass-clarinet and tape is a tribute to the story-telling ability of Lewis Carroll. While much of the prepared tape is devoted to musical-box sounds, the two protagonists of the title—representing Carroll and Alice—perform material derived from nursery rhyme melodies.The Ensemble's clarinettist, Nigel Westlake, spent some time in Amsterdam studying both clarinet and composition. Not surprisingly, the influence of the Dutch minimalists is present in his piece which is difficult for the performers and, at first hearing, for listeners too. However, its shifting textures and his control of instrumental colour reveal him to be a composer of real talent.The finest of the works on the disc is by Gillian Whitehead, the only non-Australian composer represented. She worked with Peter Maxwell Davies before going to Australia to teach at the University of Sydney. Manutaki is a wonderfully atmospheric, and often dreamy evocation of a land- and sea-scape in her native New Zealand. Mark Isaacs has written a piece that can be enjoyed at first hearing. Despite its modernistic effects, it is, at heart, the work of a full-blooded romantic, though one with plenty of rhythmic vitality. The Ensemble is to be commended for its enterprise and the record deserves to be heard in places other than Earl's Court.
Gramophone (7/1992)

'The performance is superlative...Manutaki (Whitehead) is, I believe, one of the finest pieces of chamber music of the 1980s and is worth the price of the disc on its own'
John Carmody, Sun Herald
November 1991

'The Australia Ensemble: six marvellous instrumentalists... (Wesley-Smith) I love it all... (Westlake) A strong work...(Isaacs) It's a gorgeous score and a brilliant capper to a wonderful CD'
Stephen Ellis, Fanfare Magazine (USA)
December 1993

'...the five pieces... reveal a directness of approach which renders them immediately accessible to the average listener... The Ensemble is to be commended for its enterprise'
Peter Marchbank, The Gramophone (UK)
July 1992

'... the recording demonstrates just what good pieces these are'
Andrew Ford, 24 Hours
December 1991

'... the performances testify to consistent belief in the quality and professionalism of the scores.'
Roger Covell, Sydney Morning Herald
October 1991

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 TP (1-901)



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